Phillip Barron and Jane Gregory

Phillip Barron and Jane Gregory

Monday, March 28 at 7:30 PM

Sacramento Poetry Center at 1719 25th Street

Host: Tim Kahl

PhillipBarron

Phillip Barron’s first book of poetry, What Comes from a Thing, won the 2015 Michael Rubin Book Award and was published by Fourteen Hills Press. Elsewhere, his writing appears in New American WritingBrooklyn RailJanus HeadOrionSaw Palm, and Radical Philosophy Review. He is the Poetry Reviews Editor for Sophia and Philosophia, the founding editor of OccuPoetry, and was the Editor of Squaw Valley Review for its 2012 issue.

The Scarecrow

Phillip Barron

 

Sunlight scatters in place

of what was a road, which

like the rows beside it

harrowed from the dirt,

held tight the shape of desire

to make the land a means,

each row less formed

until the last dark shape

lessens into light cast wide

by fog.

 

In one of the rows stands a man,

stuffed and still. One must be

still to see the scarecrow,

to wait for heat and wind to part

water suspended in cumulus.

 

Though fog breaks

morning’s promise

of field mice and hare

to the northern harrier,

discloses winter’s debt

in green shoots brighter

than the sun itself,

and holds itself to the thought

there is no consequence,

there is only permission,

the fog is not a reason

to think the scarecrow

minds the fog,

it is only a straw man.

 

Originally published in New American Writing

 

JaneGregory

 

Jane Gregory is from Tucson, Arizona and now lives in Berkeley, California. Her first book, My Enemies, was published by the Song Cave in 2013.  She is currently pursuing her doctorate in the English department at UC Berkeley, where she co-curates the Holloway Series in Poetry.

ACTION IS CONTENT AND CONTENT WITHOUT ANY ACTION IS DESIRE

 

There is a flashing forth by which

I enter your heart and instruct you:  get me

 

to the brouhaha, the cry of

the devil in the cloth of the clergy,

 

the hubbub, bubba, go, scum

up the wildredness

 

and then you will see some of the light lifht

in the grass the moss was in the clover of

 

what everything is but m[in]e, dug

under the little I cannot instrument

 

, man, I have imperceptible knowledge

a lot, zuys, and work very little

 

all of the time so that your desire is strong

as it should be to call attention to the title’s

 

own:  to unhurt with, be smart about, and

redact, while healing what makes you make them, your faces.

 

 

(originally published in Critical Quarterly)

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